Barren

An engineer turned journalist's story
I always keep coming back to Kolkata whenever i am confused as to what to put up on this blog. And 9 out of 10 times, i come across an image that i want to share. Seen here is the Vidyasagar Setu which was also featured on the blog entry Peek-A-Boo where i used two pillars of the Prinsep Memorial for framing.
In a very nostalgic mood today. Was constantly thinking about Kolkata. Specially after the fire that engulfed 16 people and put ParkStreet on TOIs front page. It was saddening and surprising cos its been about two years since i left Kolkata, but the sense of bonding is and will always remain there. May the departed souls rest in peace.
This photograph was taken on one of my regular Kolkata street strolls. The thing that arrested my attention was the name Mitter, in the name plate which read Apurba Mitter Road. Being the Feluda fan boy that I am, I stopped. I kept wondering if this house was in anyway related to the famous detective Pradosh Mitter aka Feluda:P I know it was ridiculous to even think that, but just for this particular moment i let the rational side of me take a backseat.
The old dilapidated house, could be the setting for many of the famous Indian detective Feluda’s stories. I really loved the detailing in the balcony both the lower part as well as the upper half. The long wooden windows on the ground level and the wall exposing some British era bricks can make you loose the sense of time. Thank god the house was locked, else i would have surely taken a tour.
There are many such houses strewn all across Kolkata that completely transfer you to a different era. Reading Manik Da aka Satyajit Ray’s books succeed in taking you some decades back. Having said that, i need to get Volume 1 of the Feluda series to take care of my Kolkata nostalgia:))
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No – This is not the Bandra Worli Sealink bridge.
Made this photograph when i was exploring Kolkata on my own one day. The idea was to see the Princep Memorial, but i was in for a surprise when i saw the fabulous Vidyasagar Setu (which also i wanted to see) was just in the background. This bridge is popularly known as the second Hooghly Bridge. The Vidyasagar Setu is a cable stayed bridge, with a main span of a little over 457 metres, and a deck 35 metres wide. Construction started in 1978 and the bridge was finally inaguarated on the 10th of October, 1992.
Was noticing the columns of the Princep Memorial when i noticed that i could frame the bridge in the background in two columns. The result is this pseudo silhouette shot.
With the Bandra Worli Sea Link opening up operations next week, i thought of putting up this photograph.
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Kolkata conversations make me quite nostalgic. Having spent the maximum time away from home there, the place has a special spot in my heart. This is another one of those photographs of the monument which is synonymous with Kolkata after ofcourse, Howrah Bridge:) The entire garden surrounding Victoria Memorial gives one so many different angles and styles to shoot the monument. Luckily this particular strech of flowers was quite close to the lake wherein i could catch the reflection.
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Victoria Memorial in Kolkata is a very famous landmark. covering an expansive area, this structure is very grand. It is quite a contrast to the Maidan bang opposite it, in the sense that the Memorial complex is so serene, so calm. The gardens in the complex, the silent waters, the exotic flowers planted all around, the grand trees sans leaves, is a treat for sore eyes. Keep aside atleast a couple of hours to fully experience the monument and the surroundings.
I had taken another refection shot of this structure titled Victoria Memorial – Reflections This time around, the sun was setting and the atmosphere was slowly turning dark at the Victoria Memorial. The lights had come up. The placid water body seemed like a mirror, reflecting the bronze statue of the Late Earl of Minto, Viceroy and Governor General of India (1905-1910).
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I was at Flury’s for a heavy breakfast. A thing that Flury’s, Kolkata is renowned for. Located in Park Street, Kolkata, with a very European feel, this is one cafe that just cannot be missed in the food capital of Kolkata.
Anyways, we were waiting for the order to arrive. I was searching for photo ops in that duration. After having clicked the interiors from my seat (they really dont like photography inside), i noticed the insignia of Flurys being reflected on the water surface. I drank a few sips and placed the glass on the Flurys paper base, so that the complete reflection could be noticeable. The result is as seen above.
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Victoria Memorial in Kolkata is a very famous landmark. covering an expansive area, this structure is very grand. It is quite a contrast to the Maidan bang opposite it, in the sense that the Memorial complex is so serene, so calm. The gardens in the complex, the silent waters, the exotic flowers planted all around, the grand trees sans leaves, is a treat for sore eyes. Keep aside atleast a couple of hours to fully experience the monument and the surroundings.
Here i just wanted to capture the reflections of the lights and the top dome of the Memorial onto the still water around. Thankfully the surface of the water was plain and there were no disturbances.
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“A Journey of a Moment in Time – Retrospectives”, said a column in Bombay Times Arts n Culture page. Retrospectives was the word that grabbed my attention and I wasn’t disappointed as it was an exhibition by the same photographer. Raghu Rai. Just back from a this very fantastic Photography Exhibition at the National Gallery of Modern Art (NGMA).
Raghu Rai is one of India’s finest documentary photographer known for his photographs of the Real India. His extensive coverage of the Bhopal Gas Tragedy even won him a World Press Photo award in the year 1984.
Most of the photographs are in Black and White. Ranging from wide panoramas to normal frames to vertical wide angled perspectives, Rai has taken care of every angle. Almost all of the photographs are quite dramatic with the Human Element, a couple of landscapes are also featured. Portraits of Indian Classical Musicians in their element are particularly appealing. Mother Teresa’s portraits are really moving. Photographs of the Bhopal Gas Tragedy really get one by the gut. They are very graphic.
Raghu Rai’s portrayal of life around Ghats of India really appealed to me. Be it the Ghats of Varanasi or the numerous Ghats at Kolkata (really reminded me of my days there). We all go around such places, do all the religious stuff, but do we really ponder over the life going on around us there? Rai gives us beautiful perspectives there.
The second floor of the Gallery has Color photographs which take one through a colorful journey across India, from Varanasi to Thiruvananthapuram to Mumbai to Kolkata.
If anyone from Mumbai is planning on going there, I would definitely like to make particular mention of some images that really floored me.
1. My Father and My Son – a BW image of just the hands of an old man and a child entangled in each other. Just looking at the photograph one can deduce the emotions that aren’t visible in the frame.
2. Among the Sparrows
3. Traffic at Chauri bazaar – a wide panorama shot really gives us an idea of Delhi in the 1960s. The chaos, vendors and rickshaws, so typical of Indian Bazaars.
4. Avani at her farm – shows a profile of lil girl in her car located in a region that has very scary clouds and its bout to rain.
5. Immersion at Babughat – a very typical Kolkata photograph during the Poojas. I loved it just for the nostalgia:d
6. Indira Gandhi at the Congress Session – it shows Indira Gandhi surrounded by her party members in a meeting, with the focus only on Indira Gandhi. The emotions on her face convey lots of thoughts (anger and sadness were two emotions I could deduce)
7. A Bazaar Scene – this photograph has an old man covering the bottom half of the frame, sound asleep with the chaos goin on behind him indicated by the slow shutter speed.
8. Cows and Pilgrims – taken on a ghat, where a pilgrim and the cows fill the frame in such a way that it appears that the man is sandwiched between the cows.
9. Wrestlers in Akhara – Simple daily life photograph but the painting on the doo r of the akhara seems to merge with the real wrestler as an extension to his arm. Very very creative composition.
10. Combed beach – the textured sand after the waves have retreated back in the waters.
11. Ayodhya – The day before – This series of photographs was clicked one day before the Demolition of the Babri Masjid. Not a soul can imagine from the mood of the photographs, what
was to follow the next day.
12. An Artist Studio – It shows one of the many sculpture studios in Kolkata. The fascinating part about this image is that the statues and real people are arranged in such a manner that we feel the statues are real and the real people are statues. This picture just reinforced in me the true Power of Composition of ones photographs.
Saving the Best for the last. “Indira Gandhi in the Himalayas” – This picture just has the Himalayan hills in the background and a silhouette portrait in the foreground. It’s a Profile shot with not even a cm of visibility, but anyone can easily recognize that its Indira Gandhi. I was super impressed by this image.
“Burial of an unknown child” from the Bhopal gas Tragedy series really chokes you. You will definitely feel something. I think it was this photograph that won the World Press Photo Award.
That was about it. I am so glad that I finally got to see a Raghu Rai exhibition. Happier even more that I have been able to keep up my resolution of seeing atleast one Photography Exhibition every month. Its been great so far with Exhibitions by greats like Rai and Henri Cartier Bresson already seen.
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